This was a blog post from Witches and Pagans originally posted on September 17th, 2012. Blodeuwedd is a goddess that I work very closely with.
Mabon is the Sabbat where the focus of the wheel of the year goes from Life and growth to Death and the harvest. It is when the young God experiences death and begins his journey to the Underworld. It is also when the White Goddess begins her descent to the Underworld to take her rightful place as the Queen of Death. The Welsh figure of Blodeuwedd is an often ignored facet of the Queen of Death.
Blodeuwedd is a Goddess that modern audiences have a hard time viewing outside of the lense of our industrial, patriarchal culture. Blodeuwedd, who comes to us in the Fourth Branch of the Welsh Mabinogion, is a woman created out of the flowers of the forest by the Gods Math and Gwydion who need a wife for Gwydion’s son Lleu; Lleu has been cursed by his mother, Arianrhod, to never take a human wife. Blodeuwedd’s story is often seen as one of rape and revenge, similar to the way the Arthurian legends are often treated. It is a story that most people never try to reconstruct with the meaning it might have had to pre-Medieval Welsh listeners. For modern listeners, Blodeuwedd is not seen as the White Goddess that she is; she is viewed as a woman torn between two lovers, such as the Medieval Iseult, or Shakespeare’s Juliet, and the tale of the two Gods/men (Lleu and Gronw) becomes one of lust and revenge.
Unlike the Greek myths, where we have the original stories “written” out to us by the Greeks themselves, the Mabinogion comes to us through the interpretation of the “modern” and patriarchal society who recorded it. Christian ideology overshadows the retelling of the stories, and these tales are doomed to be seen in the shadow of modern ideologies. Blodeuwedd as a Goddess is a victim not of rape, but of misinterpretation.
In the modern scenario, Blodeuwedd has no agency of her own as an individual and therefore no power as the Goddess that she is; she is the tool of the men around her, rather than a woman with true power. She becomes an excuse to shame women and is not seen as the force of nature she is, the force that assists in turning the wheel of the year. In this way, Blodeuwedd becomes similar to Pandora and Galatea, a plaything of a thunder wielding, sky father God. But let us remember that Blodeuwedd is a creature of the forces of land and nature worshipped by the agrarian Celts.
In the contemporary retelling of Blodeuwedd’s story, we sense that Math and Gwydion’s intentions are simply to create a wife for Lleu; that there are no other reasons that this woman needs to be brought into existence. But consider that Math and Gwydion create Blodeuwedd from the flowers of the forest, which symbolize the life and death aspects of the cycle of the year; they are intentionally drawing the White Goddess of the Underworld, the White Lady of Death, into the physical realm. Blodeuwedd of the Underworld is the balance to Lleu’s role as the Lord of the Sun.
Arianrhod, Lugh’s mother (another misunderstood Welsh Goddess), foreshadows the role that Blodeuwedd is to play. Lleu’s birth is seen as being shameful to her in the Christian context; she is not seen as the High Priestess figure who is helping her son through his initiations to gain the power that he is destined to inherit. Gwydion’s “trickery” to make Arianrhod name Lleu, by getting her to exclaim “the young lion has a steady hand” when he kills a wren (symbol of winter), is the first place where it is understood that Lleu has to kill the Old God in order to take his rightful place as God of the Sun. It is the starting point for the task that Blodeuwedd will assume in order to facilitate this cycle. Blodeuwedd’s lover Gronw is the wren that Lugh originally kills to claim his title. Life and Death work side by side to ensure this cycle continues.
Blodeuwedd is the physical manifestation of the Goddess of the Underworld. Just as Persephone in the Greek myths, Blodeuwedd is aware of what she is doing when she tasks Gronw with killing Lleu. Blodeuwedd’s “choice” between Lleu and Gronw is the neverending cycle of Growth and the Harvest. The Sun God must die so that winter may come: the cycle of death and rebirth again and again. Blodeuwedd is not just a woman who is torn between two lovers through Math and Gwydion’s magic; she is an incarnation of the White Goddess.
Blodeuwedd’s role in this cyclical story is an integral part of what Mabon symbolizes. When we forget the basic meanings behind the stories of our holidays or misinterpret their meanings, we forget the true importance of what we are celebrating. Blodeuwedd is not a light Goddess; she is the Dark that awaits all of us in the end, and her presence at Mabon should be considered in light of her true aspect.
[…] they create a beautiful woman out of flowers (and as I have posited before), possibly from the spirit of a white Underworld goddess (death). Math and Gwydion arrogantly […]