Becoming

It’s almost Yule time once again. While I love Yule, this time of year is rough for many reasons and this year seems to be more depressing than most. I’ll also be turning 30 in less than two weeks and life has certainly not gone the way I expected it to the last few years.

Yule magic, Christmas magic, Hanukkah magic, Hogmanay magic, Nickanan magic, Jul magic, Saturnalia magic, or whatever you want to call it, this time of year has the power to bring people together and to allow us to acknowledge the possibility of magic in ways that usually we easily ignore or forget to believe in. Everything is possible this time of year. We ask for magic constantly and expect miracles to happen. This is the time of year that even the most prosaic can secretly believe.

This is the time of year that I love to turn to an old childhood favorite, The Velveteen Rabbit. I give this book to all my friends having children, because if you have read The Velveteen Rabbit and have loved it as a child, you are already prepared a little bit more for the world .

800px-The_Velveteen_Rabbit_pg_1

There was once a velveteen rabbit, and in the beginning he was really splendid. He was fat and bunchy, as a rabbit should be; his coat was spotted brown and white, he had real thread whiskers, and his ears were lined with pink sateen. On Christmas morning, when he sat wedged in the top of the Boy’s stocking, with a sprig of holly between his paws, the effect was charming.

Like all of us, the Velveteen Rabbit starts out perfect, shiny and new, ready to be loved and to enjoy the life he is given. But soon, he is forgotten and becomes depressed and disillusioned. The Velveteen rabbit has to go through a painful transformation before he can truly become a part of the world around him. He has to suffer pain and sorrow before he can become real.

The Skin Horse, an old nursery toy, gives him advice, as all, old wise elders do. The Skin Horse has been worn down by the life he was given, but he is more powerful because of it. The horse is representative of sovereignty over yourself and having control of the world around you, and the Skin Horse is no different. He has mastered himself and is willing to share that knowledge with the Velveteen Rabbit.

The Skin Horse had lived longer in the nursery than any of the others. He was so old that his brown coat was bald in patches and showed the seams underneath, and most of the hairs in his tail had been pulled out to string bead necklaces. He was wise, for he had seen a long succession of mechanical toys arrive to boast and swagger, and by-and-by break their mainsprings and pass away, and he knew that they were only toys, and would never turn into anything else. For nursery magic is very strange and wonderful, and only those playthings that are old and wise and experienced like the Skin Horse understand all about it.

“What is REAL?” asked the Rabbit one day, when they were lying side by side near the nursery fender, before Nana came to tidy the room. “Does it mean having things that buzz inside you and a stick-out handle?”

“Real isn’t how you are made,” said the Skin Horse. “It’s a thing that happens to you. When a child loves you for a long, long time, not just to play with, but REALLY loves you, then you become Real.”

“Does it hurt?” asked the Rabbit.

“Sometimes,” said the Skin Horse, for he was always truthful. “When you are Real you don’t mind being hurt.”

“Does it happen all at once, like being wound up,” he asked, “or bit by bit?”

“It doesn’t happen all at once,” said the Skin Horse. “You become. It takes a long time. That’s why it doesn’t happen often to people who break easily, or have sharp edges, or who have to be carefully kept. Generally, by the time you are Real, most of your hair has been loved off, and your eyes drop out and you get loose in the joints and very shabby. But these things don’t matter at all, because once you are Real you can’t be ugly, except to people who don’t understand.”

the skin horse

There are a lot of people who don’t understand, who forget, who allow hatred and fear blind them to everything else. We are all constantly worn down and broken. It is those of us who can flex and bend and accept that make it through. Becoming real is hard. It hurts. But once it happens, like an initiation, it can’t be taken away from you.

“The Boy’s Uncle made me Real,” he said. “That was a great many years ago; but once you are Real you can’t become unreal again. It lasts for always.”

The Rabbit sighed. He thought it would be a long time before this magic called Real happened to him. He longed to become Real, to know what it felt like; and yet the idea of growing shabby and losing his eyes and whiskers was rather sad. He wished that he could become it without these uncomfortable things happening to him.

As a witch, I see one of the things I am actively doing is seeking that realness. I look for the magic around me and work to make it happen. I don’t ignore the process, I assist it. It might be painful, but it is necessary. It is not an easy path, but it is a path that leads to truth and light and even more importantly love. Love truly is the greatest power in the world and while it might seem old and cliched, the power of love can do things nothing else can. I wonder, if we loved more, what would the world around us be?

I’m not a White Lighter. I believe in the power and the need for the dark, for death, for all those things the end and close cycles. I believe in balance and the need for pain and struggle. I embrace the shadows, because they give us insight that we can’t find in the light. But this time of year is the one time of year that I actively seek that light, because I know that the darkness is about to give way to new things.

These past two years have worn away at me. I have become shabby, just like that old rabbit. But I still have love and in the end, that is more important than anything else that has happened. It is also my best defiance to all of those that have enjoyed my pain and sorrow, who have denied aid or rational thought and who have actively worked to harm me and mine without greater understanding.

I still have love. I still have happiness. The dark has not swallowed me yet. I stand here despite all of it.

I will accept the sacrifices and the suffering, because in the end I can take it in ways that most others cannot. And from it, something better will come.

I may have gotten older, shabbier and lost much of the light I started out with, but that darkness that has creeped in is what allows the light to shine even brighter.

You may laugh at me and tell me that its just a children’s book and ask what truth there can possibly be in a story about a stuffed rabbit that becomes real through the power of love?

But if I have learned nothing else as a witch, it is that those old stories have truths and wisdoms and teachings about power that nothing else can provide. We learn magic from these stories and begin to understand how to hope. I love that this is a fairly new story, but that it captures the heart of all the old ones.

Neil Gaiman wrote: “A world in which there are monsters, and ghosts, and things that want to steal your heart is a world in which there are angels, and dreams and a world in which there is hope.”

My family may have become some of those monsters, but The Velveteen Rabbit reminds me that everything has a reason and that this too shall pass. Even the monster plays a role and helps transform the hero into something better. I can accept being cast in the role of the monster, because I know where it will bring me. And in the end, the Goddess is always waiting to carry me elsewhere.

I may not be real yet, but someday I will be.

tumblr_lxel0qzpas1r09wuoo1_500

 

 

 

If you have not read The Velveteen Rabbit, you can find it here for free.

When I wrote this, this morning, I didn’t realize that it had published today in 1922. Happy Birthday to The Velveteen Rabbit!

Pysch Test or “Oh, The Bear!”

One of my students is taking a psych class. Tonight she decided to try one of her classes’ psychological tests on us, to somewhat hilarious results.

Proving perhaps that when you ask witches these type of questions, our inner mythology comes to the forefront and can’t be ignored.

The Test

You are walking in the woods:

1.Who are you walking with?

My answer – By myself.

My partner’s answer – With a bear… and Lauren (me).

2. You come to a clearing in the woods and there is an animal. What animal do you see?

My answer – A deer.

My partner’s answer – An elk.

3. How do you interact with that animal?

My answer – I observe and nothing else.

My partner’s answer – Lauren and I watch with glee as the bear eats the elk.

4. You see a dream house in front of you, how big is the house?

My answer – A witches’ cottage

My partner’s answer – A one story house made of candy

5. What do you see around the house? Is there a fence?

My answer – The house is on chicken legs and there is a fence of flaming skulls.

My partner’s answer – There are candy canes and a fence of ginger bread men

linnunjalka-talo6. You walk inside the house and you see a dining table. What’s on the table?

My answer – Nothing

My partner’s answer – Pie

7. You walk outside, there is a cup on the ground. What is the cup made of?

My answer – A golden, jeweled chalice

My partner’s answer – Wood

8. What do you do with the cup?

My answer – I leave it alone.

My partner’s answer – Give it to the bear.

9. You walk further away from the house and you come to a body of water. What body of water do you see?

My answer – A clogged (with vegetation) pond

My partner’s answer – The Western Ocean

10. How do you get across the body of water to get to the other side.

My answer – A rowboat

My partner’s answer – A magical, white horse

The explanation for all of these are:

The answer to question number 1 is the most important person in your life. The size of the animal is representative of the size of your problems. How aggressively you interact with the animal is how you deal with your problems. How large the house is, is how big your ambition is to solve your problems. How enclosed your house is shows how protective of yourself you are and how welcoming you are of others. The amount of things on the table is proportionate to how happy you are. The durability of the material that makes up the cup you see is your perceived durability of your relationship with the person from question number 1. Who you give the cup to is how you treat the person from question number 1. The size of the body of water shows how passionate your desires are and how wet you get while you cross the body of water shows how engulfed you are in those desires.

So for a normal person, my answers would reflect that I am the most important person in my life (selfish bitch that I am!), my problems are normal sized and I have no desire to solve them. According to the size of my house, I have few problems, but am super protective of myself. The clear table symbolizes that I am not happy and with the cup, I am very invested in the durability of myself and obviously care only for myself. My body of water is a clogged pond (my student is now very worried about my clogged pond!) means that I am not passionate and I didn’t get wet, so obviously I am not engulfed in any desires. In normal society, I am a weird, unkind, freak of nature, devoid of desire.

My partner on the other hand loves the bear more than he loves me (though he did include me and while we can get into who I think the bear represents, I will leave that to your imagination). His problems are a little larger than mine, but he attacks them viciously with another person (again, that bear!). His candy cottage is one story, so again, fewer problems (HAHAHA) and his table has a pie on it, showing that he is welcoming and willing to share his bounty. My partner’s cup was made of wood, a natural and organic material that is warm and inviting. He gave his cup to the bear, showing that he cares for the bear’s role in his life (oh that bear!). He approached an ocean, showing that he is vastly passionate, though he didn’t get wet either, riding his magical horse across the waves, so obviously, from the normal perspective, is not engulfed in those desires.

But for me, these questions were more of a walk through my astral temple. The same for my partner. We are both active, practicing, witches.

As soon as you tell me that I am walking through a forest, I enter a ritual mindset. This is immediately no random mental exercise.

My astral temple is a forest path, I walk that path alone until I meet deity (in my case, usually my patron god who appears to me as a deer). The house is obviously the house of the witch and when I think about the witches’ house in the woods, I am always happy when I think of Baba Yaga’s house on chicken legs. And if the house belongs to Baba Yaga, obviously there is a fence of flaming skulls around it! The table is clear, because the witch doesn’t want to scare away her visitors and you are never sure what you might find there. Obviously the cup, just left carelessly outside of the witches’ house is magical in nature and should be left alone. A clogged pond is something that you might find in the forest and  is the type of pond I grew up in (full of turtles and muskrats and other small creatures). Rowboats are again, something I grew up with.

I won’t take you through my partner’s magical thinking, it might make your head hurt. (But Oh the Bear…!)

The Bear Wife by my partner...Oh the Bear!

The Bear Wife by my partner, acrylic on canvas…Oh the Bear! (Once again a painting based on Sami folklore. In the mythology of the Sami and other members of their language group, such as the Mansi and Khanty peoples of Russia, there is a creation myth of a human woman who marries a bear. The bear is usually a cosmic creature, or is born of the Goddess Mielikki as the earth is created. This union of human and cosmic bear creates a specific tribe, or in some tellings, all people. )

For those of us who have been in Circle and who have done astral temple work, the answers to these become very different. To many “normal” people, the forest is a scary place. For me, as a witch, the forest is liminal space where initiation and other magical moments happen. The witch lives in the cottage in the woods and mythology comes alive. When I walk through the forest and interact with animals and objects, fairy tales and the lessons they teach take precedence. I don’t think tests like these are meant for people like me. I view the world very differently.

Being a witch is more than simply cackling and potions and spells…it is a completely different world view from everyone around you. There is an old Witch saying: “Witches may live among people, but they are never one of them.”

Personally I’ll take my weird, twisted world view. My clogged pond is very comforting and not representative of my desires and passions. I have immense passion and I dearly love both my partner and other people in my life (including, perhaps, the bear). I have huge problems, but I will always take a practical approach and won’t let them overwhelm me. The witch lurks in the woods and she might eat you, but she might also invite you in and help you. The gods walk with me and I commune with them. The woods are the Underworld and I feel comfortable there. In my astral temple, things appear with purpose and sometimes need to be left alone. I know my lore and mythology and, unlike many others, I know better than to touch and taste.

And while you contemplate these heavy issues, eat some delicious Cuban White Chili (which my student made for us!)

Cuban White Chili

Ingredients:

1 package, boneless, skinless chicken breasts

few pinches of salt

olive oil

2 onions

4 cloves of garlic

2 pablano peppers

3-4 tomatillos

3 cans Northern White Beans

Chicken Stock

1 Jalapeno

lots of cilantro

2 cans Rotel tomatoes and green chiles

cumin (enough)

1 lime

1 avocado

1 Bag of Shredded Mild Cheddar

Sour Cream

Recipe:

Dice garlic finely and dust lightly with salt. Dice onions. Add onions and salted garlic to skillet with 2 or 3 tablespoons of olive oil. Brown onions and garlic.

While onions and garlic are cooking, cube chicken and brown in a large pot, also in olive oil.

To onions and garlic, add all cans of rotel. Dice tomatillos and jalapenos, add to onion and rotel mixture.

To chicken, add chicken stock (as much as you like, though definitely enough for it to be a soup).

Once onion mixture is bubbling, add to chicken. Add all cans of beans to pot. Toast pablano peppers directly on flame of stove and then peel (to properly roast and peel pablanos, see this video). Dice, add to pot. Add handful of cilantro and enough cumin to taste, simmer for 30 minutes. Add another handful of cilantro and add more cumin if desired.

Simmer for at least another hour, serve on top of shredded cheese, with sour cream, uncooked cilantro, sliced avocado and lime juice as desired.

Enjoy!

Peppers roasting merrily on my stove top!

Peppers roasting merrily on my stove top!

Book Cover!

We have gotten the book cover for Fairy Tale Magic! I’m so excited! It’s everything I had hoped it would be.

Vasilissa the Beautiful is on the cover, carrying the fiery skull that she won from Baba Yaga.

We were lucky and the same artist, Esao Andrews who has done the last two covers for Kenny’s  other books, was willing to do this one as well. I think it turned out absolutely stunning!

I hope you love it as much as I do!

Fairy Tale Magic

It’s official! In May of 2014, the book that Kenny Klein and I have written together about magical theory in fairy tales will be published by Llewellyn!

The title will be Fairy Tale Magic: Unearth & Reclaim the Potent Enchantment of Old World Folk Tales. I am so excited to see the cover, which will be just as beautiful as Kenny’s last books!

In the book we look at magical theory and the basis of ritual in stories such as: The Buried Moon, Brother and Sister, Vasilisa the Beautiful, Little White Thorn, Jack and the Beanstalk, Goldilocks and several more.

Keep your eyes peeled for later updates!

Weird Post Initiation Experience in Public

Apparently Initiation hasn’t just changed how I feel about myself, but how others perceive me as well; most notably, the children.

My S.O. and I ventured out into the world today to attempt some grocery shopping. Our pantry was depressingly bare after having gone through the marathon of Mardi Gras and then traveling to PantheaCon. Even though we got back late Tuesday night, I’ve had a serious sinus infection and both of us have been drop dead tired from the trip. (Kenny has also been recuperating from severe food poisoning at PantheaCon).

Since I don’t get the parental memos that apparently go around, I was not aware that today was “Take Your Adorable Child to the Grocery Store Day”. I usually despise trips to the store when this happens; masses of children are everywhere and it’s hard to just grab your things and Get Out While You Can. While I like children, I like them from afar. I guess I babysat way too much as a teenager. Also, for the past few years I’ve lived in college towns, working weird late night shifts, and little people just weren’t as present in my usual 2 am grocery forays. I forget to watch for them and inevitably end up almost stepping on one, resulting in being glared at by annoyed parents. (And who could blame them? I would probably glare at me as well).

While I’m used to scaring small children at the grocery store, today I seemed to absolutely terrify them. Generally I think my tall, booted, tattooed, pierced, crazy-haired appearance is what does it. But today I had many more intense reactions than usual. Children fled from my mere shadow. While this made my shopping experience slightly easier, this makes me wonder about how much more children see than adults do.

Christopher Moore, one of my favorite authors, has a quote in his novel Lamb: The Gospel According to Biff, Christ’s Childhood Pal (which is just as awesome as it sounds) that says “Children see magic because they look for it”. This quote always resonated in my own life and I have worked to make sure that adulthood hasn’t meant losing my sight of the the magical things I grew up believing in. This is probably in some sense what led me to where I am right now.

I’ve been working on a tattoo sleeve of fairy tales for a while now. One of the main pieces is the Wicked Witch. The witch in fairy tales is really the Initiating Priestess and to me at least, the character that usually drives many of the events of the tale to their rightful conclusion. Without a villain, what would the heroine have to do to triumph or change to become the person they need to be at the end of the tale? When my mother exclaimed “Why in the world would you tattoo the witch on you?!!!” my reply was “but I AM the witch”. It never occurred to me to be anything else.

As I stalked through the bustling aisles of our local Rouses, a few little girls paused in the aisle; instead of running and hiding behind their parents as the rest did, these girls paused in the middle of the aisle and unabashedly stared up at me in fascination. And I had the thought that maybe someday these were the same little girls that might come seeking me out for their own Initiations…how strange.